Diberdayakan oleh Blogger.
RSS

Assignment 4 of DRAMA THE ZOO STORY by Edward Albee_Has been Published by Netty Nur RW_

NAME                       >>                   NETTY NUR RAHMAWATI
NUMBER                  >>                   A. 320 080 037
CLASS                       >>                   DRAMA ( A )
Assignment 4 of DRAMA
THE ZOO STORY
by
Edward Albee

  1. Structural elements of The Zoo Story
The structural elements of The Zoo Story is divided into five parts, they are: character and characterization, setting, plot, style, and theme.
1.     Character and Characterization
In The Zoo Story, the are two kinds of characters, and they are major and minor character. The major characters in this play are Jerry and Peter. Both of them are played by the actors. And the minor characters are Colored Queen, Puerto Rican Family, The Landlady, and The Girl. These characters are not played by the actors, theyonly appear in the dialogue between Jerry and Peter as the major characters, but they are able to support the major characters and make them more alive.
a.   Major Characters
1)      Peter
Peter is the protagonist in The Zoo Story who after coming to Central Park to spend some time alone on his favorite bench to read a book on a Sunday afternoon, has his life forever changed by Jerry, who confronts him He holds an executive position at a small publishing house that publishes textbooks. These details about Peter’s life all come out of the dialogue that he has with Jerry, and although at first they seem to be trivial facts, they serve an important function in establishing the two different worlds in which Peter and Jerry live.
Physically, Peter is neither far nor gaunt, and neither handsome nor homely. He is for about forty years old and is also neat in his appearance.
Quotation:
PETER: A man in his early forties, neither fat nor gaunt, neither handsome nor homely. He wears tweeds, smoke a pipe, carries horn-rimmed glasses. Although he is moving into middle age, his dress and his manner would suggest a man younger. Peter is an educated man. He likes reading books such as Time magazine, etc. Peter is also a religious man who has Catholicity of taste including in his favorite writers. in the play, he often uses the word “Oh My God”. Peter works as a book publisherwho earns for about eighteen thousand a year so that he can be said as an upper middle class. He also lives on Seventy Fourth Street which seems to be an elite area. Peter seems to have a happy and complete family. he has wife, two daughters, two parakeets, and two cats.
2)     Jerry
Jerry, the antagonist in The Zoo Story, confronts Peter while he is reading a book in Central Park and coerces him into partaking in an act of violence. Albee gives the following description of Jerry: “A man in his late thirties, not poorly dressed, but carelessly. What was once a trim and lightly muscled body has begun to go to fat; and while he is no longer handsome, it is evident that he once was.” His falls from his physical grace should suggest debauchery; he has, to come closest to it, a great weariness. jerry is a lower middle class man who has no job and lives in a slum apartment. As a poor man, he only has few things in his apartments. He also doesn’t have any happy family like Peter. He comes a broken unhappy family. His mother has an affair with someone else.
b.  Minor Characters
The minor characters in this story are not mentioned by their names. They are called with their sobriquets or nicknames.
1)      The Colored Queen
He also lives in the same roominghouse with Peter. He is quite weird who sometimes plucks his eyebrows. He always uses is Japanese kimono and goes to the John a lot.
2)     The Puerto Rican Family
The Puerto Rican family consits of a husband, a wife, and some kids. they entertain a lot.
3)     The Landlady
The Landlady has a disgusting dog. She is a fat, ugly, and full of garbage.
4)      The Girl
The Girl here is also Jerry’s neighbor. She always cries and cries all the time.
2.     Setting
a.     Setting of Place
The Zoo Story is a confrontation between middle-class America and the outcasts of society. Set in central park, Peter, an average American, is confronted by Jerry, a lonely man from the wrong side of the park. Jerry tries to teach Peter the realities of life that Peter has tried to ignore. He tries to teach Peter the nature of human existence and relationships. Through a serious of failed conversations and misinterpretations of the act of love, Jerry begins his experiment to see if the middle class Americas are animals after all. He always spends his time reading a book there. Peter feels satisfied when he reads in this bench. He considers that the bench is his own bench. He never gives up the bench to Jerry who tries to push out him.
b.     Setting of Time
The setting of time in this play is on Sunday afternoon in summer, the present. Peter always spends his time reading a book in the park on Sunday afternoon.

3.     Plot
a.      Exposition:
In The Zoo Story, Edward Albee begins his play with a narration which introduces the major characters, Jerry and Peter and also their physical appearance. Then, it continues to the dialogue between two major characters who talks about their own lives.
b.       Complication
The complication in this play begins when Jerry starts to asks the bench which always be used by Peter. he forces Peter to share the bench. He persuades Peter by mocking and punching him. But, Peter does not want to give it because he thinks that he possesses the bench.
c.       Climax
The climax happens when Jerry is stabbed by Peter although he does unintentionally. Jerry is stabbed by his own ugly-looking knife. he asks Peter to hold the knife. but, Peterrefuses it. Jerry tries to persuade Peter by mocking him until he gets angry. Finally, Peter takes the knife, not to kill jerry, but only to defend. Suddenly, Jerry impales himself on the knife and he is stabbed. Actually, he tries to suicide.
d.      Resolution
The resolution of The Zoo Story happens when finally Jerry dies because he is stabbed by his own knife. Surprisingly, Jerry says thanks to Peter because suicide susseeds. He also asks Peter to leave the park and clean his fingerprints on the knife so that there will be no evidence and no one knows that.
e.       Causality
It starts from the appearance of Jerry in the park in which Peter sits on the bench there while reading a book. He forces Peter to get along in a conversation. Peter can’t refuse it. Then, they talk about their own lives. Jerrry tells him about “The Story of Jerry and the Dog”. But, after that, he forces Peter to give the bench. Peter refuses it because he thnks that it is his. Jerry tries to get it until he takes his knife out. He asks Peter to fight and take the knife. Based on those events, the relationship among events shows that the play has a good causality.
f.        Plausability
The ending of the story is rather strange. The plausability of The Zoo Story is really unpredictable because he plot is not reasonable. How two men who do not know each other can fight for bench until one of them dies. The bench here seems unworthy. But, they fight for it. By sequencing the plot and events of the play, Albee builds and absurd and surprising plot.
4.     Style
In this play, Edward Albee uses both of long and short sentence in the dialogue. He uses yes or no answer for short sentences and also a long narration when the figurative of Jerry tells his story in the dialogue. The first major character, peter, is drawn as a man who comes from upper class. He is an educated man so that he uses polite expression in the conversation and he knows the medical terms that someone from the lower class like Jerry does not know.
5.     Theme
The Zoo Story by Edward Albee details what happens when one character enters the life of another character and quickly changes it forever. In the play, Jerry confronts Peter while he sits quietly reading on a bench in Central Park; through a quick series of events, Jerry forces Peter into helping him kill himself. Layered throughout this short one-act play are three overriding themes: absurdity versus reality, alienation and loneliness, and wealth and poverty.
B.    Conclussion
The main theme in this play is about the bad side from the social gap between the upper and lower social class because it can make someone can do everything without thinking whether it is good or not and the ignorance of the upper level can make yhose from lower level be envy. So, this drama appeared of Man vs. Society.
The Zoo Story is a confrontation between middle-class America and the outcasts of society. Set in central park, Peter, an average American, is confronted by Jerry, a lonely man from the wrong side of the park. Jerry tries to teach Peter the realities of life that Peter has tried to ignore. He tries to teach Peter the nature of human existence and relationships. Through a serious of failed conversations and misinterpretations of the act of love, Jerry begins his experiment to see if the middle class Americas are animals after all.
In The Zoo Story Albee shows that building up a relationship in this cold society is only possible in using violence, be it verbal or physical violence. Jerry’s attempts to win the world for himself with friendliness have been in vain. Jerry demonstrates that violence seems to be the only opportunity. The attempt to poison the dog and his suicide prove that. Albee also shows the human misunderstandings and the failure of communication between Peter and Jerry who stand for different social classes in America.
The conversation mirrors the discrepancy between lower class and upper class in the American society. What looks like a dialogue in this one-act play is more or less Jerry’s monologue as Peter’s answers are just passive, defensive or empty politeness. He is not really interested in listening to Jerry’s problems or in contributing to the conversation. 


                       


  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE PROPOSAL _a play in one-act by Anton Chekhov_ published by Netty Shancez

NAME                   >>              NETTY NUR RAHMAWATI
NUMBER             >>              A. 320 080 037
CLASS                  >>              DRAMA ( A )

Assignment 3 of DRAMA


THE PROPOSAL
a play in one-act
by Anton Chekhov

A.   Structural Elements of Drama
1.    Character and Characterization
Stepan Stepanovitch Chubukov, 70 years old, a landowner. He is a kind-man and polite, for instance to his neighbor. He is relax and senile.
Natalya Stepanovna, his daughter, 25 years old. Natalya is a fussy girl. She wants to get everything what she wants. She is in love, egad, she is like a lovesick cat.
Ivan Vassilevitch Lomov, 35 years old, a neighbour of Tschubukov, a large and hearty, but very suspicious landowner. Ivan is a large and hearty. If he gets nervous, his heart is palpitating awfully, especially when face with Natalya. He does not have a brave in front of woman.
2.    Setting
 Setting of place : In a Chubukov's country-house (In the past time). A drawing-room in Chubukov’s House.
3.    Plot
The storyline of the play proposal is about two friends who are neighbors Stepan Stepanovitch Chubukov and Ivan Vassilevitch Lomov. Stepan has  a daughter  Natalya Stepanovna who is ready for marriage the Ivan Vassilevitch Lomov is a fairly old man who is full of ailments. A Marriage Proposal is about the tendency of wealthy families to seek other wealthy families, to increase their estates by encouraging marriages that made good economic sense, and the problems that arise in marriage. In the play, Ivan Vassilevitch Lomov, long time wealthy neighbor of Stepan Stepanovitch Tschubukov, also wealthy, has come to seek marriage of Tschubukov's twenty-five year-old daughter, Natalya Stepanovna. Lomov and Stepanovna are bickerers at heart and fight throughout the play until the end, when they get married, only, presumably, to argue more after. He wants to marry his Natalia, he thus  proposes to his friend Stepan who says that it will depend on his daughter consenting. He calls his daughter but instead the suitor changes story to a land dispute.
Natalia and her father become so irritated that they throw the suitor out, after he has left Stepan tells Natalia that he had actually come to propose, She feels very sorry and tells her father to call him back, after coming back Ivan Vassilevitch Lomov pretends to have to have fallen down and died then he comes back to life and kisses Natalia and immediately there is party because the proposal has gone through.
Ivan Vassilevitch Lomov, a long-time neighbor of Stepan Stepanovitch Chubukov, has come to propose marriage to Chubukov's 25-year-old daughter, Natalia. After he has asked and received joyful permission to marry Natalia, she is invited into the room, and he tries to convey to her the proposal. Lomov is a hypochondriac, and, while trying to make clear his reasons for being there, he gets into an argument with Natalia about The Oxen Meadows, a disputed piece of land between their respective properties, which results in him having "palpitations" and numbness in his leg. After her father notices they are arguing, he joins in, and then sends Ivan out of the house. While Stepan rants about Lomov, he expresses his shock that "this fool dares to make you (Natalia) a proposal of marriage!"
4.    Theme
The farce explores the process of getting married and could be read as a satire on the upper middle class and courtship. The play points out the struggle to balance the economic necessities of marriage and what the characters themselves actually want. It shows the characters' desperation for marriage as comical. In Chekhov's Russia, marriage was a mean of economic stability for most people. They married to gain wealth and possessions or to satisfy social pressure. The satire is conveyed successfully by emphasizing the couple's foolish arguments over small things. The main arguments in the play revolve around The Oxen Meadows and two dogs called Ugadi and Otkatai.
B.   Conclussion
The proposal is a naturalistic play by Anton Chekhov, He introduced an important variation to realism of Ibsen, he moved away from melodramatic elements such as suicides, he orchestrated his plays in such a way that their stories overlapped and echoed each other, Chekhov also developed a blend of tragedy and comedy, creating a genre called tragicomedy The naturalistic element is very evident in this play since the characters action are seen to be motivated by their natural environment. They therefore come out as product of their environment rather than products of the society.
"In the short play "A Marriage Proposal," Anton Chekhov describes the odd courtship of Lomov, who seeks a marriage with his neighbor's daughter. Lomov and the woman he wants to marry fight before he can make his proposal, fight while he proposes, and fight after she agrees to marry him. They tend to fight every time they speak to one another, and while this alarms her father at first, he decides that the two just like to fight with each other.
In the end, the father calls this last fight the "beginning of family happiness," though it is doubtful that a couple can fight all the time and achieve anything like bliss. The meeting between Lomov and Chubukov suggests one sort of neighborhood arrangement, for Chubukov could not be friendlier and more delighted to see Lomov, happier being asked about the marriage, and more positive about Lomov's prospects."
So, this drama appeared of Man vs. Society : because in the proposal drama there are some conflicts among its characters. Besides that, The Proposal tells about marriage was a means of economic stability for most people. In this play, the concept of marriage is being satirized to show the real purpose of marriage – materialistic gain rather than true love. So, there is an interaction between people (society).

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

" Death of a Salesman" 2nd Homework of Drama

Netty Nur Rahmawati
A.  320 080 037
Class A
2nd Assignment of Drama

Death of a Salesman
by Arthur Miller
Directed by Joe Dowling


A.     Structural Elements of Drama
1.      Character and Characterization
The characters are the focal point of Death of a Salesman. They come from twelve of Theatre’s largest character-pools - Willy Loman, Linda Loman, Biff Loman, Happy Loman, Charley, Bernard, BenHoward Wagner, Miss Francis, Miss Forsythe and Letta, Stanley. Willy Loman a salesman, age 63. Linda Loman, Willy’s loyal, loving wife, very carefully, delicately, with some trepidation, resigned, sensing the racing of his mind, fearfully, trembling with sorrow and joy. Her fundamental decency, integrity, loyalty and love are remarkable and unquestionable, but it must be realized that she unwittingly feeds Willy’s problem. Biff Loman, Willy’s thirty-four-year-old elder son. Happy Loman, Willy’s thirty-two-year-old younger son. Charley, Willy’s next-door neighbor. Bernard is Charley’s son and an important, successful lawyer. Jenny, Charley’s secretary.  Ben, Willy’s wealthy older brother. Howard Wagner, Willy’s boss. Miss Francis, Willy’s mistress when Happy and Biff were in high school. Miss Forsythe and Letta. Two young women whom Happy and Biff meet at Frank’s Chop House. Stanley, A waiter at Frank’s Chop House.
Major Characters:

1.        Willy Loman

Characters: Willy Loman, a salesman who has traveled for more than 30 years up and down the New England coast. Willy's values, "The man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead. An insecure, self-deluded traveling salesman. Despite his desperate searching through his past, Willy does not achieve the self-realization or self-knowledge typical of the tragic hero. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the most extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
Minor Characters:
2.       Linda Loman
Linda Loman, Willy’s loyal, loving wife. “very carefully, delicately, with some trepidation, resigned, sensing the racing of his mind, fearfully, trembling with sorrow and joy. It is a sad and frightening truth that Linda, Willy's wife, who is so totally devoted and loyal to him, who is his pillar of strength, who will let no one speak ill of him (no matter how justified it may be), who does everything possible to make his life peaceful and happy, who knows so well how to handle him, who can anticipate almost his every mood and who prides herself on understanding him so well, in actuality knows Willy very little.
She encourages him to stay at a job he is obviously unfit for; she is unaware of his self-esteem crisis and she discourages him from starting other pursuits. Linda serve as forces of reason throughout the play. Linda is probably the most enigmatic and complex character in Death of a Salesman. Linda views freedom as an escape from debt, the reward of total ownership of the material goods that symbolize success and stability.
3.      Biff Loman
Biff Loman, Willy’s thirty-four-year-old elder son. Biff led a charmed life in high school as a star football player,  captain of the team, a young hero-especially compared to his friend Bernard, a good student who nevertheless lacks the charisma necessary to get ahead in the business world with scholarship prospects, good male friends, and fawning female admirers. He failed math, however, and did not have enough credits to graduate. Biff represents Willy’s vulnerable, poetic, tragic side. Fundamentally, Biff is decent, gentle and sensitive. He is extremely stubborn, with a strong independent streak.
4.      Happy Loman
Happy Loman, Willy’s thirty-two-year-old younger son. Happy has lived in Biff’s shadow all of his life, but he compensates by nurturing his relentless sex drive and professional ambition. Happy represents Willy’s sense of self-importance, ambition, and blind servitude to societal expectations. He is the perennially ignored son. He has a steady job and keeps promising his parents that he’s going to settle down and get married. But in reality, he’s never going far in business and plans to sleep around with as many floozies as possible.
5.      Charley
Charley, Willy’s next-door neighbor. Charley owns a successful business and his son, Bernard, is a wealthy, important lawyer. Willy is jealous of Charley’s success. Charley gives Willy money to pay his bills, and Willy reveals at one point, choking back tears, that Charley is his only friend.
6.      Bernard
Bernard is Charley’s son and an important, successful lawyer. Although Willy used to mock Bernard for studying hard, Bernard always loved Willy’s sons dearly and regarded Biff as a hero. Bernard’s success is difficult for Willy to accept because his own sons’ lives do not measure up. Bernard is the son of Charley, Willy's only friend and supporter outside of his family. As a young man he is quiet, dependable, pensive, and a top student; as an adult Bernard remains sensitive and genuine, and displays the intelligence, self-confidence, and perception that have helped him become a successful attorney.

7.      Jenny
Jenny, Charley’s secretary.
8.      Ben
Ben, Willy’s wealthy older brother. Ben has recently died and appears only in Willy’s “daydreams.” Willy regards Ben as a symbol of the success that he so desperately craves for himself and his sons.
9.       Howard Wagner
Howard Wagner, Willy’s boss. Howard inherited the company from his father, whom Willy regarded as “a masterful man” and “a prince.” Though much younger than Willy, Howard treats Willy with condescension and eventually fires him, despite Willy’s wounded assertions that he named Howard at his birth.
10. Miss Francis
Miss Francis, Willy’s mistress when Happy and Biff were in high school. The Woman’s attention and admiration boost Willy’s fragile ego. When Biff catches Willy in his hotel room with The Woman, he loses faith in his father, and his dream of passing math and going to college dies.
11. Miss Forsythe and Letta
Miss Forsythe and Letta. Two young women whom Happy and Biff meet at Frank’s Chop House. It seems likely that Miss Forsythe and Letta are prostitutes, judging from Happy’s repeated comments about their moral character and the fact that they are “on call.”
12. Stanley
Stanley, A waiter at Frank’s Chop House. Stanley and Happy seem to be friends, or at least acquaintances, and they banter about and ogle Miss Forsythe together before Biff and Willy arrive at the restaurant.
2.      Setting
The major setting is the Loman house in New York City, a modest home surrounded by vague and slightly ominous taller buildings. Downstairs in the kitchen, Willy has drifted into a reverie about the past. At the restaurant, Biff tells Happy that Bill Oliver didn't even recognize him-there will be no loan (The American West, Alaska, and the African Jungle).
These regions represent the potential of instinct to Biff and Willy. Willy’s father found success in Alaska and his brother, Ben, became rich in Africa; these exotic locales, especially when compared to Willy’s banal Brooklyn neighborhood, crystallize how Willy’s obsession with the commercial world of the city has trapped him in an unpleasant reality. Whereas Alaska and the African jungle symbolize Willy’s failure, the American West, on the other hand, symbolizes Biff’s potential. Biff realizes that he has been content only when working on farms, out in the open.
It is important to note that much of the play’s action takes place in Willy’s home. In the past, the Brooklyn neighborhood in which the Lomans live was nicely removed from the bustle of New York City. There was space within the neighborhood for expansion and for a garden.
3.      Plot
The story is told through a complex montage of scenes interlocking the present with past events - memories, imagined moments, and flashbacks from the life of Willy Loman. At 63, Willy Loman, a traveling salesman all his life, is becoming increasingly worried about his ability to make ends meet. Although his house is nearly paid for, and his sons are on their own, lately each sales trip is more exhausting and less satisfying. He feels drained and is losing his grip on his own existence: “I’m tired to the death” he tells his wife, Linda. 
Willy Loman is a traveling salesman at the end of his career. The beginning of the play sees him returning home to his wife Linda after nearly crashing his car. Biff and Happy, their adult sons, are on a rare trip home. The brothers and Linda discuss Willy – Linda defends him and attacks her sons for their treatment of him. She tells them that Willy is trying to kill himself.  Biff tries to placate Willy’s anger when he overhears them discussing him by telling Willy that he will go and see an old employer, Oliver, and ask for a job. This escalates into a plan for the brothers to set up in business together. Willy is delighted and the whole family is sucked into this daydream.
Death of a Salesman takes place in and around the Brooklyn house of Willy Loman, a salesman who has traveled for more than 30 years up and down the New England coast. The action is confined within a 24-hour period, from Monday night to late Tuesday evening, much of it reflecting the tragic turmoil of Willy’s mind. A requiem concludes the play, an epilogue at the funeral of the salesman.
At the end of the Act, however, Biff discovers the length of tubing that Willy has hidden so he can use it to commit suicide.  Willy Loman, an aging salesman, struggles to avoid facing the failures of his past and the emptiness of the values by which he has lived and raised his two sons. Willy Loman has led a life consisting of sixty years of failure. Loman's wife supports him, but he soon begins to lose his grip on reality and slips between the past and the present, frantically trying to find where he went wrong.
4.      Style
Grammatical Structure (in Narration and Dialogues)
Standard.
Sentence Construction (in Narration and Dialogues)
Long and Short.
The play is mostly told from the point of view of the main protagonist, Willy, and it shows previous parts of Willy's life in his time shifts, sometimes during a present day scene. It does this by having a scene begin in the present time, and adding characters onto the stage whom only Willy can see and hear, representing characters and conversations from other times and places. Many dramatic techniques are also used to represent these time shifts.
The play's structure resembles a stream of consciousness account: Willy drifts between his living room, downstage, to the apron and flashbacks of an idyllic past, and also to fantasized conversations with Ben. When we are in the present the characters abide by the rules of the set, entering only through the stage door to the left; however, when we visit Willy's "past" these rules are removed, with characters openly moving through walls.
5.      Point of View
The author of this short story, Arthur Miller is non – participant. Because, he doesn’t introduce him self as a character.
6.      Theme
The theme that appropriate with this drama story is The Promise of The American Dream of Salesman.
Ø      This drama shows that Willy as a major character was believes  the wholeheartedly in what he considers the promise of the American Dream—that a “well liked” and “personally attractive” man in business will indubitably and deservedly acquire the material comforts offered by modern American life.
Ø      Willy’s blind faith in his stunted version of the American Dream leads to his rapid psychological decline when he is unable to accept the disparity between the dream and his own life.
Ø      We must more rewarding understanding of the American Dream that identifies hard work without complaint as the key to success. I mean people in the world also.
Many of the symbols used in Death of a Salesman have specifically American connotations. The play opens with reference to cars. Car is an American symbol of individual mobility, freedom and social status. But Miller uses it in a negative and ironic manner. In the very beginning of the play Willy comes home exhausted with driving. His exhaustion with driving symbolizes his tiredness from life. The car is going out of control. This symbolism gets its final intensity in the climax of the play when Willy drives his car out of the house into darkness and death.

B.    B. Conclussion
The play cannot attain the stature of a genuine tragedy because of its extreme social awareness nor can it be a social drama because it is fitting to call it a social tragedy and it is. Social tragedy is a modern kind of tragedy in which the conflict between the central protagonist and society is depicted and the protagonist becomes the victim of society’s ill-treatment. Arthur Miller in his drama Death of a Salesman depicts the conflict within the family and the conflict between protagonist and the society. He is misfit in the capitalist society. He is the victim of a social injustice and this social injustice causes his tragedy. Willy Loman, the protagonist, has been working in a company for almost thirsty-six years. He introduces the firm in many cities. He often says to his colleagues that he is a vital man for the firm. It is only due to Willy's effort that the firm has been introduced in many cities of America.
                  Willy Loman kills himself at the end of the play. But well before the conclusion, it      becomes clear that the protagonist is bent upon self-destruction. His decision to kill himself for the $20,000 insurance money comes as no surprise; the event is blatantly foreshadowed throughout much of the dialogue. Still in his daydream of fifteen years ago, Willy brags to Linda that he made $1200 in sales that week. Linda quickly figures his commission at over $200. Willy then hedges his estimation. Under questioning, he admits that he grossed only $200. The $70 commission is barely adequate to cover the family’s expenses. In a rare moment of lucidity and self-criticism, Willy moans that he cannot move ahead because people do not seem to like him. Linda tells him that he is successful enough. Willy complains that he talks and jokes too much. He explains that Charley earns respect because he is a man of few words.
Willy realizes that he is not a vital man at all for the firm and speaks the beautiful line, a satire on capitalistic society, that these capitalistic profiteers eat the fruit and throw the peels away. To conclude we can rightly say that “Death of a Salesman” is a modern social tragedy in which conflict between man and society has been depicted. Willy Loman, the protagonist, becomes the victim of social injustice which compels him to commit suicide. So, this drama story is is classified as “man versus society”.



  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS